After many years of not watching any films, I am slowly catching up on my film viewing. This Christmas break was particularly fruitful in that respect.
When I thought of writing about my recent film experiences, I realized I have actually used this blog for a total of seven posts about the seventh art (my readers love my humor). Antonioyrocinante started in 2011 but my first film post is not until 2015 (which proves my film viewing drought). If you are so inclined, you are welcome to look up my posts on:
The Man Who Killed Don Quixote by brilliant ex-Monty Python Terry Gilliam
Wes Anderson’s Castello Cavalcanti (technically an ad for Prada)
Jojo Rabbit, a satire on Nazis
Torrente, el brazo tonto de la ley
Wes (Anderson) and Woody (Allen)
My recent “discoveries” have been from some of my favorite auteurs and a new one!
I have been a fan of Alejandro Iñárritu since his 2000 Amores Perros and have not missed any of his films: 21 Grams, Babel, Rudo y Cursi, Biutiful, Birdman and The Revenant.
On the Tarantino front I am lagging a bit, not having seen his last two works The Hateful Eight (2015) and Once Upon a Time in Hollywood (2019). I did, however, recently view Inglourious Basterds and loved it! What I enjoy about Tarantino is the almost comic book graphic aspect. While Almodovar plays with color to imbue his films with texture and depth, Tarantino uses them to contrast the scene, which tend to be very dramatically framed – like they would be in a comic book. Other films like The 300, Sin City or some of the super hero genre use this comic book approach, but in these cases it is very much a literal use of comic book visuals.
From a narrative perspective Iñárritu tends to use overlapping and intersecting stories, whereas Tarantino bets for a more twisty turny story. Either way, the viewer is in for a roller coaster ride!
One key element all of these directors share – and I did mention it before on my Woody Allen post- is their abilities to squeeze the maximum out of their actors. For example: Tarantino with DiCaprio or Brad Pitt in Django Unchained and Inglourious Basterds, and Iñárritu with Michael Keaton or Javier Bardem in Birdman and Biutiful.
My recent discovery (although the movie dates back to 2007, sorry) has been Sean Penn as a director. It is not unusual for intelligent, restless actors to get behind the camera, and Penn is no exception. Into the Wild is a straightforward enough story with a proper beginning, middle and ending, but Penn does a great job of telling that story, creating suspense and emotion. Although I have not read Jon Krakauer’s book, Penn does a fine job of telling this story.