Hungarian literature, continued. Antal Szerb: Journey by Moonlight

Hungary and Budapest are awesome; I highly recommend them. When I returned from my amazing visit last year, my sister Rocky introduced me to Hungarian literature. I was blown away by Sandor Marai El matarife (A mészáros in Hungarian). I recently revisited Hungarian authors by reading Antal Szerb’s 1937 modernist novel, Journey by Moonlight.

What fascinates me is the different approaches to existentialism taken by Sandor Marai and Antal Szerb.

Journey by Moonlight describes Mihály’s travels around Italy, but more importantly, it chronicles his inner journey, his existential journey, and it is very different from El matarife’s blunt Otto. There is a rich cast of secondary characters led by Mihaly’s wife, Erzsi, and his childhood friends, among others.

“In London, November isn’t a month, it’s a state of mind.”

Mihaly, though recently married, is still working to grow out of his childhood. His past confronts him, and he must wrestle with it. This all happens while travelling around Italy, which gives the novel a beautiful background.

“Geography is my most potent aphrodisiac.”

The novel has meaningful references to spirituality, philosophy, art, and architecture. Szerb references Rilke, the “foggy, watery softness of London”, weaving them into beautiful writing, such as “there’s no cure for nostalgia” and “Budapest is the most moral city in Europe.”

If you are into European Modernist Existentialist literature, Journey by Moonlight is a novel for you. You are welcome.

denn da ist keine Stelle,

die dich nicht sieht. Du mußt dein Leben ändern.

Rainer Maria Rilke

Archaïscher Torso Apollos

until there is no place

that does not see you. You must change your life.

Torso of an Archaic Apollo

Translated by C. F. MacIntyre

On the importance of celebrating victories

Victories, in life as in sport, are rare, so celebrate them! Our team recently beat our archrivals by the narrowest of margins, 0-1, and the school was wise enough to give the team a shout-out at our Thursday community dinner. I was invited to a delicious BBQ dinner and to speak. I thanked the players and the school and made some bad jokes (our competitor wanted to build a website for their team but couldn’t because they couldn’t put three Ws together; you get the idea…) After dinner and my speech we took a few pictures with the captain of the team, the assistant coach (also a student) and the bosses.

It was really rewarding to see the house bask in the brief glory of victory, even a small, impermanent one like ours (the trophy goes to the winner after each of our two games, Fall in Miami and Spring at home), so we never know how long the trophy will stay…

Life is similar; it feels like a lacrimarum valle (valley of tears) filled with bills and drama every day. And we get up and do it all over, day after day. So when you score a victory, whether big or small, celebrate appropriately—and proportionately! (You don’t want to splurge thousands of dollars on a ’96 bottle of Krug when your tax refund is a couple of hundred bucks.) But acknowledge your win and enjoy it. You have earned it!

Siddhartha, the Ohio River, and Jorge Manrique, the story of three rivers.

Are you fascinated by rivers? I am. In my first year of university, I spent the summer working and improving my French in Paris, and I spent countless hours absorbed by the Seine sitting by its side. A couple of summers later, in Geneva, I had to cross the Rhône every day, and again I was hooked. Maybe that is where my obsession comes from. Later, I would be equally enamored of the Danube, Tajo, Duero, Ebro, the Mississippi, Tiber, Guadalquivir, and, of course, Boston’s Charles River.

One of my favorite poems of all time is Jorge Manrique’s Coplas por la muerte de su padre, in particular the third stanza:

Nuestras vidas son los ríos

que van a dar en la mar,

que es el morir:

allí van los señoríos,

derechos a se acabar

y consumir;

allí los ríos caudales,

allí los otros medianos

y más chicos;

y llegados, son iguales

los que viven por sus manos

y los ricos.

In fact, when someone passes, I often say the first line, “Nuestras vidas son los ríos,” to those near the person, because it helps me understand life, although Celia hates it when I say it in those circumstances. (You can read a bad essay on it (in Spanish) that I wrote for my PhD, here)

Although I had read Hermann Hesse’s Siddhartha years ago, I recently re-read it. It is beautiful, especially the part about the river and the protagonist’s relationship with the river.

Why am I rambling? Because I recently went to Cincinnati and had the beautiful experience of meeting the handsome and mighty Ohio River. But don’t believe me, it was the Seneca (Iroquoian) people who called it the ohiːyo’, the good river, the great river. It did not disappoint. I was enthralled, as I was with the Seine, the Rhone, and so many others.

So if you have the opportunity, spend some time with a river, listen to it, and understand that it is the same river from the first drop in the mountain to the ocean, yet it is always a different river. You are welcome.

“But out of all secrets of the river, he today only saw one, this one touched his soul. He saw: this water ran and ran, incessantly it ran, and was nevertheless always there, was always at all times the same and yet new in every moment! Great be he who would grasp this, understand this! He understood and grasped it not, only felt some idea of it stirring, a distant memory, divine voices.”

― Hermann Hesse, Siddhartha

Researching at Madrid’s Royal Palace Library

As I mentioned before (here), one advantage of being a scholar, even a bad one like me, is the chance to conduct research in interesting venues.

This summer, my research led me to a book at the Library of the Palacio Real in Madrid. After setting up an appointment and passing through security at the palace, I found my way to the unassuming library door. As usual, I had to leave all my belongings in a locker and pass another security checkpoint before entering the reading room with a notebook and a pencil. The staff was amazing! They answered many questions, and the place was beautiful.

Oh, the topic of my research? For now, I have to keep it under wraps, but I look forward to sharing more soon. If you follow this blog, your interest is what keeps me going-so feel free to guess or share your thoughts in the comments. I’m investigating a little-known book by Francisco de Isla that hasn’t received much academic attention, so I’m keeping details quiet for now…

What are some interesting places you have done academic research? Let me know in the comments!

So, if you have the opportunity to do some research at the library of the Palacio Real, enjoy! You are welcome.

Miami’s New World Symphony plays an “All-Spanish” program

When I saw that title in the NWS program, I knew I would not miss it. Then our Academic Dean mentioned that one of my classes needed to make up some credit hours… so I brought that class along to the concert to make up those hours!!

The title isn’t 100% accurate; in fact, only one of the four composers featured was Spanish or Hispanic. The program was as follows:

Antônio Carlos Gomes was a 19th-century Brazilian composer; Overture to II Guarany

Joaquín Rodrigo, Concierto de Aranjuez

Richard Strauss was German, Don Juan

And

Nikolai Rimsky-Korsakov was Russian, Capriccio espagnol

So while the composers were not all Spanish, the music was at least Hispanic inspired.

The guitarist for Concierto de Aranjuez was South Korean guitarist Jiji Jiyeon Kim, who delivered a brilliant virtuoso performance. But the whole concert was beautiful. After the performance, I took my students to El Chalan, a great Peruvian restaurant right near the New World Center, where the students tried ceviche and other Peruvian delicacies!

It was good to be back at the New World Symphony, even though one has to contend with the infernal Miami traffic.

Which one of these pieces is your favorite and why? Let me know in the comments!

The beauty and challenges of coaching at a small school

After about 20 years of coaching soccer, I now look forward to getting a team to click as quickly as possible. I am convinced that, beyond skills (there must be a baseline level), team play wins more games. This fall, we had only three weeks before our first match, and we won.

Our university is a bit different from most. Halfway through their studies, seminarians leave for a year to work at a parish, similar to what Northeastern University in Boston does with its Co-ops. This means we lose a group of players each year and have to replace them with incoming players; this is a challenge.

At the start of the season, the first thing we do in practice is make sure everybody knows everybody else’s name until we all get them right! Then we focus on the importance of team play, passing, defending, and attacking as a team.

Another challenge is that we have very limited practice time, and every player wants to scrimmage and have fun. So half of practice is actually playing, which I am not against.

This leaves me very little time to work with the men on strategy, tactics, and skills, team philosophy, community and environment, and, oh, fitness, which I have to leave to the boys. But if you know me, you know I am a sucker for a good dare, so every season we dive right into practice!

Despite some tough losses, we have a winning record under my coaching, so I don’t complain about the challenges; instead, I buckle down and make it work. At the end of the day, soccer is a game that should be fun, and I love it!

With only three weeks of practice, we drove down to Miami and won 0-1; I’ll take it.

What are some of the challenges and rewards you face as a coach? Let me know in the comments.

Emocionario Porteño de Luis Correa-Díaz o cómo gestionar la morriña, la saudade

Para los que vivimos fuera de casa, volver supone más que un viaje físico; al mismo tiempo, es un viaje por la memoria y un viaje de descubrimiento en el que nunca sabes qué ha cambiado desde la última vez que estuviste. Lo que es cotidiano para quienes viven en Valparaíso puede resultar una sorpresa para Correa-Díaz.

Luis Correa-Díaz nos explica ese proceso en su poemario, mejor dicho, en su Emocionario Porteño (Ediciones Altazor 2026).

Correa-Díaz mantiene su uso de emojis, códigos QR y referencias eclécticas: Goethe, Browning, Dostoyevski, Quasimodo, la princesa Leonor, Fray Luis de León, TikTok, YouTube. etc. Pero, por otra parte, pierde el Spanglish; no lo necesita; está en casa.

Aunque cada poema tiene su propio tema —la casa de los cuatro vientos, el mar mapuche, la visita del buque Juan Sebastián Elcano, la plaza Echaurren—, ninguno tiene un punto final (ni la primera letra del siguiente poema está capitalizada), por lo que la lectura se convierte en una caminata continua por Valparaíso, con sus paradas para tomar un café y recordar.

Estos poemas son el ejercicio que hace LCD para gestionar su exilio. Todos tenemos nuestras mañas para desentrañar y exorcizar la añoranza, la morriña, la saudade, que dicen los portugueses, expertos en estas lindes. Yo hago videos de Madrid para turistas (@TonxoTours), lo cual no es tan poético.

Una de las razones por las que me gusta leer a Correa-Díaz (esta es, más o menos, mi séptima reseña de LCD) es el contraste en sus poemas. La yuxtaposición de una escritura aparentemente coloquial, incluso informal, contrasta con una adjetivación estoica, impávida (deadpan, dicen los anglosajones). Esa mezcla entre conversación de amigos y aparente seriedad, incluso misterio, es la que engancha, la que te lleva al siguiente poema y, en mi caso, al siguiente libro. Egoístamente, me gustan estos poemas porque la poesía es universal y lo que siente LCD en Valparaíso es lo que siento yo en Madrid, aunque cambien los nombres de las calles y de los cafés, y, obviamente, Luis lo escribe mejor. Gracias Luis.

What is the best city in the world?

World traveler is not a description I would use for myself; I know a handful of them, and I am definitely not like them. Yes, I have traveled a bit, but, for example, I have never been to Asia or Africa. However, I have spent time in many major cities. This summer, I went to London for the first time in 22 years to visit a dear friend. The visit was short, only three days, but I know London, having lived there for four years during my secondary school, yes, back in the 80s.

Ranking, grading, or listing cities is, of course, highly subjective, but for me, London has to be the best city in the world. Ah, you scream, what about New York? Well, as much as I love New York, it obviously lacks London’s deep history, which dates back to Roman times and gives it a unique character that I find truly inspiring.

The question then becomes: what makes a city great? Sure, does it have great restaurants? But it goes beyond that: accessibility, especially for walking and cycling, beauty, green spaces, culture, education, safety, and the vibrant mix of attractions that make London so captivating for everyone.

While no city is perfect, London not only checks off all these boxes but also has a degree of sophistication enriched by immigration, the previously mentioned history, amazing parks and architecture, improved transportation (since I was last there), cycle paths, and the elusive ‘aura’ that makes it feel alive and special to those who visit.

London is a huge city, so it is impossible to know every little corner. I spent most of my time in Hammersmith, exploring its historic 19th-century bridge and the surrounding neighborhood. I also revisited Shepherd’s Bush and Camden, discovering (for me) St John-at-Hampstead Church, one of the oldest churches in London, with the last big renovation dating to 1740!

I spent most of my time visiting my friend, but I also took long walks, which allowed me to see these elements and led me to my conclusion: London is the best city in the world.

What do you think makes a city great? Is it history, food, or something else? Let me know in the comments. I’d love to hear your thoughts on the best city in the world.

Vas a dirigir, el manual esencial de dirección de ventas

Felipe y yo coincidimos trabajando en la sucursal española de una distribuidora británica de material fotográfico, allá por el Pleistoceno. En teoría, yo era el jefe (aunque no tenía un título específico—lo cual suponía un problema—), pero Felipe me daba sopas con ondas en ventas y eso que éramos muy jóvenes. Aquello marcó el principio de una amistad que ya dura más de treinta años.

Felipe tuvo la astucia de saltar a la telefonía móvil justo cuando nació: “Hola, soy Edu. Feliz Navidad”. Yo dejé el mundo empresarial hace muchos años y me fui a la academia, a la docencia. Pero la amistad sigue ahí.

Hay cientos, si no miles, de libros sobre dirección de ventas: académicos, científicos, motivacionales, etc. El de Felipe es más bien un manual de campo, un checklist, una lista de control, algo que puedes usar como referencia para contrastar con tu evolución como director de ventas. Los capítulos están perfectamente pensados y desarrollados; el texto es ameno, fácil de leer y está lleno de anécdotas personales que aportan textura y realidad a la teoría. Felipe comparte sus años de experiencia para facilitar nuestro trabajo y permitirnos comprobar que nuestra hoja de ruta es correcta y que estamos en el buen camino. El texto está salpimentado de códigos QR que llevan al lector a videos de ventas, presentaciones de formación, etc.

Si yo siguiera en el mundo empresarial y de ventas, este libro viviría en mi escritorio y lo usaría como referencia día a día. Pocos libros pueden ocupar ese espacio, pero Felipe lo ha conseguido con su combinación especial de guía práctica, experiencia y sentido común. ¡Bravo!

My favorite shop

One of my favorite bands in the ’80s was The Style Council. One of their exquisite albums was Our Favourite Shop. What is your favorite shop? Mine is a Japanese no-brand shop called Muji. (How is that for a roundabout intro?)

My university friend Theo introduced me to the Style Council in the 80s and to Muji during a visit to London in the 90s. Theo, ever on the avant-garde, piqued my interest in their products, which I now enjoy.

A couple of decades later, Muji finally opened a couple of shops in Madrid!

The usual gateway product for Muji is its stationery: pens, notebooks, markers, etc. But I soon embraced most of their product line: clothing, home and kitchen products, snacks, and even furniture!

Their clothes follow the traditional Japanese template: perfect cut, rich proportions—no slim cuts here—quality materials: cotton, linen, wool, and no logos!!

But wait, aren’t you a minimalist? Asks the keen readers of this blog. You know that I try to be a minimalist, so I avoid buying clothes (or anything else) on a whim and buy only when needed, but I am not a radical minimalist, more of a practical one. So yes, I try to be very mindful of my purchases. I hope my mindful shopping habits resonate with you and inspire your own minimalist journey.

Anyway, there you have it. If you have not shopped at Muji before, I recommend starting with their stationery. You are welcome.