In my four years in Chapel Hill, I have mentioned it in passing and I have written about my girlfriend Melanie de Forbin-Gardanne by Jean-Louis Le Barbier but I have not dedicated a blog entry to one of my favorite spots. The Ackland Art Museum. That needs to change.
I discovered the Ackland in 2012 when I went to visit UNC during my Spring break from BB&N. I remember walking upstairs and coming face to face with some Goya prints from the Caprichos series. My mind was blown. Those prints let me know that Chapel Hill might look like a southern college town, but that it has some cultural weight. It was a deciding factor in my going to UNC.
Once school started, I discovered that walking home after Sunday mass I passed the museum. My Sunday morning routine was set: church, coffee and reading across the street at the beautiful Carolina Inn, and then walk to the museum, walk around and sit and read with Melanie. I know I am going to miss my Sundays in Chapel Hill.
This year was a bit special, the museum had an exchange loan with the Minneapolis Institute of Art, and we had Francis Bacon’s Study for Portrait VI, based on Velazquez’s Pope Innocent X. It was a pleasure to enjoy it all year long. The painting reminded me of Pierre Boulez sur incises that the Ensemble Intercontemporain performed at Memorial Hall. The piece is one, total and complete, but you have to use your imagination to “fill in the blanks”. The blurriness of the Bacon painting is also very tactile, like it was smudged. Another thought on the painting is that it is the real portrait of Pope Innocent X, it is what Velazquez would have painted if he could really represent the guy he was painting: a shifty, double faced, shrewd politician, a warmonger pope with a mistress – that might be why Bacon paints his own bedframe in the background of the painting.
For four years I have taken all my classes to the museum. We see the Spanish and Hispanic art (Picasso, Carducho, the Goyas, one of Korda’s original Che prints, etc.), I also took my French class when I taught French, and there is a wealth of French artists in the Ackland. When I was my Dissertation director’s Graduate Research Assistant for her 18th C. literature class I organized a class at the museum, and they set up some of those Goya prints in a special classroom they have. It was a great experience.
After four years, I got to know the staff, the security personnel, the student employees, they could not be a nicer group of people! Professional, attentive, kind, funny, just great. I have always been a fan of the smaller, more intimate museums like the Sorolla or the Lazaro Galdiano in Madrid, the Isabella Stewart Gardner in Boston or the Frick in New York, so now the Ackland joins that list!