Teaching beyond the classroom; a night at the opera.

If you are a teacher, you are not only teaching your subject matter: you are teaching your behavior, your attitude, your presentation. More importantly, you are teaching your whole field. So, if you are teaching a science, then you are teaching the whole scientific method. In my case, I am not only teaching language, but I am also teaching culture, diversity, and the humanities.

With this excuse, the Philosophy faculty and I recently arranged a field trip to the Palm Beach Opera’s Marriage of Figaro. It was fantastic. For most of the students (if not all), this was their first time at the opera, and they were pleasantly surprised. The key takeaway is that the students appreciate a new art form for them, understanding the beauty of art. Especially an art where the artist is the instrument, so no two can ever be the same!

Unlike, say, The Magic Flute, Mozart does not have any blockbuster songs in this opera, but the whole thing is very melodious and easy to enjoy. The story is funny but moralistic -this is the Enlightenment after all! So the students were never bored; they were able to enjoy the story and the music. Coincidentally, we had just studied the Enlightenment in class, reading Benito Jeronimo Feijoo, so to see the students making connections is extremely rewarding. Mission accomplished.

If you have a chance to have your students make connections outside the classroom, across different fields, let them rip! You are welcome.

Here are two of my favorites, Cecilia Bartoli and Renée Fleming, doing one of the more famous duets:

The best opera? The most famous opera? La Traviata at Palm Beach Opera

There are some tunes that you would recognize instantly, even if you have never been to the opera. One of them is the party song at the beginning of La Traviata; it is the subject of viral popup chorales, flash mobs, and opera recitals everywhere.

As children, we did not listen to La Traviata at home. My dad preferred the “epic” operas: Wagner, Aida, Nabucco… He had the vinyl box sets by the big conductors of the time, Karajan, Abbado, and the like.

I had the classical music radio show at the university radio station and would, once in a while, play opera songs. But I became enamored with La Traviata through an 80s film: The Music Teacher, which led me down a wonderful rabbit hole to discover Maria Callas, Renée Fleming, and possibly my favorite Violetta: Kiri Te Kanawa.

At any rate, I again had the chance to see La Traviata at the Palm Beach Opera last week in the Kravis Center with Caitlin, a work colleague and fellow opera fan.

The production was amazing! Gabriella Reyes, in her pro debut, hit it out of the ballpark, despite taking the current liberty of pushing the Sempre libera finale to E flat above high C notwithstanding that Verdi wrote it in high C, she is forgiven for following the trend. Mario Chang from Guatemala did a perfect job as Alfredo, and unexpectedly Michael Chioldi surprised as Alfredo’s dad, Giorgio Germont, totally channeling his best Gattopardo.

Palm Beach Opera was impressive in their attention to detail: the décor, the photocall, even crafting an apropos cocktail, the Violetta, which I must say, was delicious.

So if you get a chance to see La Traviata, do not hesitate to go. You are welcome.