new world

Art as meditation, Sphinx Virtuosi

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Richard Rohr recently explained in his daily email about the transformative power of art (see below). Although this is something we have known for a long time, I was just thinking the same thing recently.

My dear friend, old student, Film Club founder, and overall formidable fellow, Guillermo recently invited me to see him perform with his orchestra, Sphinx Virtuosi, at the New World Center in Miami.

When the art hits, when it envelops you, your attention is focused on the art. You are not thinking about bills, work, what’s for dinner, etc. At that moment, at that point, you are as close to the divine as you are possibly going to be. The beauty of this moment is that it happens without conscious preparation, you just hit the moment, and it is beautiful.

The Sphinx concert featured their amazing musicians, all of which are at the top of their game, with musicians, fellows, from the New World Orchestra in a fluid collaboration. William is not my only old student playing in the Sphinx Virtuosi, Tommy Mesa whom I have mentioned before (here) and Celia Hatton who, like Guillermo, plays the viola, were also my students. Having a drink after the show I met Canadian-Caribbean violinist Maithena Girault.

So go immerse yourself in art, the more you appreciate art, the more chances you are going to have of being transformed by it. It could be a concert, in a museum, any form of art has the power and potential to elevate you. Be open to it.

You are welcome.

The Transformative Power of Art 

A much-needed return to music, and on the importance of mentoring

/ antonioyrocinante / 1 Comment

As I have mentioned ad nauseam, I learned how to be a mentor to old students from my professor Aaron Nurick, who has been keeping an eye on me for over thirty years, which at this point makes him more of a friend than a mentor.

Bill is one of my old students who invited me to Film Club (you can read about that here), and who as an accomplished violist, invited me to his recent concert in Miami. I would like to think that I am a bit of a mentor to him.

The Sphinx Virtuosi is an orchestra formed by minority Black and Latino musicians. Their concert equally featuring Black and Latino composers was glorious. Granted, I had not been to a live concert since before Covid, over two years ago, but it was still divine.

Driving to Miami is an odious experience, there is always traffic no matter what time you go. And if there is no traffic, there is construction, which inevitably leads to traffic, so there is no avoiding the frustration of sitting in a car at standstill.

But once I parked and I was walking around, all my tension washed away. The concert was at the Frank Gehry designed New World Center in Miami Beach, which, while not as whimsical as say, the Guggenheim in Bilbao, it is still very cool and has a breathtaking rooftop garden.

The concert itself was a refreshing mix of melodic Latin tunes like Alberto Ginastera’s Concerto for Strings and the haunting Andrea Casarrubios’ SEVEN in honor of the fallen first responders during the first Covid outbreak in New York City (SEVEN references the time folks would clap from their windows to celebrate the first responders). This was a mournful concerto for solo cello played beautifully by Tommy Mesa -another old student at Walnut Hill! (See clip below).

After the concert we walked to a great Peruvian restaurant where we had a long chat over excellent food and beers. I cannot wait for my next concert, nor to see more of my old students!