

One of the many blessings of Film Club, beyond the fellowship and deep discussions, is that every few months you watch a jewel of a film. This month’s theme was Boarding Schools, and the repertoire was: Louis Malle’s Au Revoir les Enfants (1987), Netflix’s version of Matilda (2022)(ok, not a boarding school, but it might as well be), Robin Williams’ classic Dead Poets Society (1989) and a film I had never heard of: The Holdovers (2023).
There are many factors that make The Holdovers a fantastic film -at least for me: it is filmed in two main locations I know and love well, New England boarding schools, and Boston, my beloved old Bostonia, Paul Giamatti, wonderful photography, and an insightful narrative.
As I mentioned the film starts in a New England boarding school (it was filmed in half a dozen of them, including a scene in Waltham, home of my alma mater Bentley College), so we have the whole school as the cast. Christmas break arrives and the cast is narrowed to five students who are stuck in school over break with a teacher (Giamatti) and the cook. The dad of one of these holdovers, the CEO of a helicopter manufacturer will eventually pick up his son and the rest of the boys -except one, Angus Tully (Dominic Sessa) to take them skiing. The brunt of the story is then the three holdovers: the student, history teacher Mr. Hunham, and the cook, Mary Lamb (Da’Vine Joy Randolph).
Yes, the film touches on the inequalities of the “legacy students” -children of wealthy alumni, family dynamics, class inequalities, etc. But those are accessory to the plot.
What could these three different people have in common? You might ask. Well, what we all have in common: our brokenness. And this is where the film shines. The big clue comes when Hunham, gives his two Christmas companions copies of Marcus Aurelius’ Meditations “For my money, it’s like the Bible, the Koran, and the Bhagavad Gita all rolled up into one.” At the end of the film, we will see a box full of the books, Hunham’s go to present, apparently.
Stoicism is less a philosophy and more of a way of life: understanding what is under our control, and if it is beyond our control, there is not much we can do about it but accept it. (I recently wrote about this here). Of course, it is difficult for us to become full, real stoics, it is a lifetime process. Our three protagonists -eventually only the two men in their “field trip” to Boston, struggle with their issues. Despite the obvious age difference, we see these two men are basically the same, a mirror image in their brokenness.
As any good film does, The Holdovers makes the viewer consider their lives and how to deal with their issues, and at the same time enjoy a wonderful cast, beautiful photography, great early seventies music and Paul Giamatti.
Enjoy the 70s style trailer:

























