Andrei Tarkovsky’s The Mirror

You have been a member of Film Club for 4 years now, you have seen many movies throughout your life, and you have even taken a couple of film classes -in graduate school! So you consider yourself a bit of a film connoisseur, a snob. You have seen the mesmerizing photography of The Proposition, the achingly beautiful La Grande Belleza, The Godfather trilogy, Oscar winners, you name it. Then you watch Andrei Tarkovsky’s The Mirror, and you realize that you have never seen a film like that, that you had no clue of what can be done with film, of how a story can be told through film. You feel like a beginner, an amateur. And it’s a 1975 film!

Imagine sitting on a long road trip and your travel partner reciting childhood stories, dreams, memories, and the like, nonstop, with no transitions, oh, and with beautiful music playing like Bach’s St. Matthew’s Passion. And that partner is Russian, so they have a very acute sense of the absurdity of life, and of history; of the Spanish Civil War, of WWII, that film is The Mirror.

If you read the reviews, they all mention stream-of-consciousness as the driving technique in this film, but this being a film, not printed page, it does not fully convey the power of the images, the ambiguity, the anxiety, and most importantly the beauty of the film.

Although the film is not about Magical Realism, it feels that way, like you are reading a Gabriel García Márquez novel (I have yet to see a good representation of Magical Realism on film, if you have a recommendation, drop in the comments, thanks). Yes, the camera work, the tracking angles, the lighting, it is all there, and you can talk about the technical bits, but at the end of the day, it is a beautiful film, one that blows your mind and changes the way you experience film forever.

I cannot wait to see more Tarkovsky films.

Happy birthday Film Club!

The (mostly) honorable members of Film Club

Time flies when you are having fun! Our first year of Film Club has indeed flown by.

I have mentioned Film Club before (here), and it obviously merits a birthday post.

The club was started by one of my old students who then recruited three other guys: a genius film savant in Australia, another old student and exquisitely insightful film critic, and myself. The main component I bring to the table is my old age, which brings a lot of these films to life for these guys. Keep in mind that this is a totally amateur club, so while the guys are brilliant, none of us has formal training other than maybe a college course in film. So our approach is fairly naïf, even when we might do some homework researching the films we have seen.

The mechanics of the Club are fairly straightforward: we decide on a theme or genre for the month, the films are uploaded to our Discord platform and then we have an Internet meeting and talk about the films.

We have watched a total of forty-eight films, some have blown my mind like The Proposition and La Grande Bellezza which both merited their own blog posts. Many I have already seen, but I do not mind re-visiting. Some have been hilarious like The Castle, and some I frankly did not care for like Mr. Nobody, or Upstream Color, and that is ok, there is something wrong if you like every film you watch.

Here is the list. What do you think of these films? What themes of genres do you recommend we watch? Let me know your thoughts below!

Non-Linear Narratives

  1. Citizen Kane (1941)
  2. Annie Hall (1977)
  3. Mr. Nobody (2009)
  4. Biutiful (2010)
  5. Enemy (2013)

Light & Color

  • The Life Aquatic with Steve Zissou (2004)
  • Pan’s Labyrinth (2006)
  • Volver (2006)
  • Midsommar (2019)

Film Noir

  1. The Maltese Falcon (1941)
  2. Chinatown (1974)
  3. LA Confidential (1997)
  4. Nightcrawler (2014)

Western

  1. Fort Apache (1948)
  2. The Wild Bunch (1969)
  3. The Proposition (2005)
  4. 3:10 to Yuma (2007)

The city as protagonist

  1. Wings of Desire (1987)
  2. Do the Right Thing (1989)
  3. City of God (2002)
  4. La Grande Bellezza (2013)

Scandinavian +

  • Tangerines (2013)
  • The Square (2017)
  • Another Round (2020)

Family

  • Tokyo Story (1953)
  • Belle Époque (1992)
  • The Squid and the Whale (2005)
  • Farewell Amor (2020)

Horror

  • The Birds (1963)
  • The Witch (2015)
  • Under the Shadow (2016)
  • Get Out (2017)

Light-Hearted

  • Women on the Verge of a Nervous Breakdown (1988)
  • Cinema Paradiso (1988)
  • The Castle (1997)
  • The Dinner Game (1998)

Christmas Time

  • Day of the Beast (1995)
  • Tokyo Godfathers (2003)
  • In Bruges (2008)
  • Carol (2015)

Sound Design

  • Eraserhead (1977)
  • No Country for Old Men (2007)
  • Upstream Color (2013)
  • Sound of Metal (2021)

Is there a film canon?

  • Duck Soup (1933)
  • Casablanca (1942)
  • 8 1/2 (1963)
  • Taxi Driver (1976)

À propos, next month we are going to explore war in film…

La Grande Bellezza (The Great Beauty) 2013

La Grande Belleza

Thanks to Film Club, I am seeing many more films now than I have in years . Having said that, I really do not want to make antonioyrocinante into a film blog, there are enough of those already.

But I just saw La Grande Bellezza, (yes it is a 2013 film, I am a bit slow) and I have to tell you about it – beware, there might be spoilers.

This is an exquisite film, as beautiful as Rome, the city where it is filmed: exuberant, colorful, rich, fun… but there is a gaping void in it, a melancholy, sad void represented by protagonist Toni Servillo as Jep Gambardella.

You see, all the beauty in the world is sterile, meaningless without love, without a deep spiritual connection. Director Sorrentino is not subtle about this: The film opens with a quote from Céline’s Journey to the End of the Night

Traveling is very useful: it makes your imagination work. Everything else is just disappointment and trouble. Our journey is entirely imaginary, which is its strength.

To drive home that point, the opening scene combines ethereal views of Rome combined with David Lang’s otherworldly song I lie. The fact that the song is in Yiddish should lead you to the great spiritual journeys of Israel, of Job. Life is nothing if not a spiritual journey to yourself, to the divine in you, to your Grande Belleza, Namaste.

Let’s stop there. Let me know your thoughts in the comments, or go see the film and then let me know.