Vangelis – El Greco, and get ready to travel in time and space!

Yes, I enjoy listening to music beyond classical. I have written here about Gospel music and jazz, even pop. Every summer, I create a playlist of pop hits for my nephew and nieces, and I used to record a Jazz playlist for my dad every Christmas.

Occasionally, rarely, I will also listen to contemporary composers like Arvo Pärt. Thrifting the other day —one of my hobbies in this desolate suburbia— I found this CD by Vangelis. I had to give it a listen. While there are many electronic music composers, a few of them had their heyday in the 80s, like Jean Michelle Jarre, Kitaro, or Jean Luc Ponty, Vangelis is probably considered the most serious, possibly because he wrote the music for great films like Blade Runner, and of course, his most famous piece, the theme for Chariots of Fire.

In this record, Vangelis explores his fellow countryman, Domenikos Theotokopoulos, El Greco. Vangelis takes you back to Toledo during the transition from the Renaissance to the Baroque. With heavy, byzantine sounds, bells, and apparently simple layering, Vangelis manages to transport the listener to another city and another era, amazing!

The beauty of this album lies precisely in the journey, the long notes, the reminiscence of old instruments and melodies. When paired with the paintings of El Greco or the ancient narrow streets of Toledo, you become transfixed. You might be in bleak South Florida, but your soul and your senses are in 16th-century Toledo.

Sphinx Virtuosi and the freshness of American classical music

The fact that America is a relatively recent addition to the Western artistic canon is a good thing; it brings a certain freshness and hopefulness that is wonderful.

I recently had an opportunity to enjoy a full program of classical American music played by the amazing, creative, and innovative Sphinx Virtuosi at the New World Center in Miami Beach.

Although driving down to Miami is dreadful, seeing the Sphinx Virtuosi always makes it worth it.

The opening number, Scott Joplin’s Overture to Treemonisha, was an inspiring, hopeful number. Other numbers featured music inspired by Peru and Venezuela. You can see the whole program here.

For me, this is more than a regular concert. Three of my old students play in this orchestra! Bill Neri, the ultimate violist, is also the founder of Film Club and a dear friend. Tommy Mesa is a prodigy cellist whom I have already written about here. Celia Hatton is another firecracker violist who was also in my Spanish classes! To see these young professionals flourish in such a demanding but beautiful field is an incredible reward.

American Form/s is a musical tapestry depicting the many sounds of American classical music. Vibrant, varied, storied, and new, the self-conducted string orchestra Sphinx Virtuosi takes audiences on a journey through classically-framed infusions of soul, bluegrass, jazz, blues, and elements of rag. Works range from reimaginings of Joplin’s joyous landscapes to the complex rhythms of Curtis Stewart and brilliant influences of immigrant composers like Teresa Carreño. Experience the intricate harmonies and world influences of Derrick Skye’s writing, as well as modern interpretations of soul-stirring spirituals and more in this program carefully and collaboratively curated to celebrate the richness of the American musical landscape.

Sphinx Virtuosi: American Form/s

Jazz, Branford Marsalis, and the saxophone

My dad loved Jazz, every road trip we did I was in charge of the playlist; a bunch of jazz cassettes. Since his passing in 2015 I have not really re-visited the genre, it still hurts.

But the other day I got an offer I could not refuse: an invitation to see Branford Marsalis, in Miami.

My mind was blown to smithereens in the Summer of 1985, when Sting released his first “solo” album; The Dream of the Blue Turtles, heavily Jazz influenced, and featuring Marsalis’ saxophone. I was already a fan of Sting from The Police (drummer Stewart Copeland went to the same school as me in London a few years before me), but now I was turned onto Marsalis.

The first and only time I got to see Marsalis was with his New Orleans buddy Harry Connick Jr. in New York City in the late 80’s. I still remember that concert!

Last Tuesday. My old student –and Cine Forum founder– Will, invited a Peabody Conservatory friend and me to see Marsalis play the works of James Reese Europe. A musician who fought in World War I, only to be stabbed to death upon his return to the US by a drummer in Boston, such is life.

Marsalis only played a handful of numbers, but it was beautiful and well worth it. Will, Michelle and I enjoyed a nice dinner at El Chalán, a walk around South Beach, the concert, and a farewell drink at the Royal Palm Hotel where Will was staying. A perfect evening.

Speaking of Cine Forum, this month we are watching Taxi Blues, Ida, and Stilyagi (Hipsters) all  Russian (Ida is Polish) and all feature the saxophone as a central character, what a coincidence!

Oh, by the way, Branford has a brother Wynton, who is possibly the most amazing trumpet player you can listen to!!

Manuel Balsón, “El Jefe” (1934 – 2015)

Many personal obituaries start by mentioning a favorite memory, or a first memory they have of the departed. This, besides being personal, offers the opportunity for a funny or intimate story or anecdote. On the other hand, professional (read press) obituaries focus on the achievements of the departed.

For my father I am throwing out both styles and let’s see what we get. Part of the reason for this is that I do not have a specific memory, or a funny memory, or a first memory. Well, I have many and not one of them particularly sticks out. Nor do I have a list of achievements for him. He did not discover penicillin, nor the theory of relativity, nor did he invent the light bulb. But from humble beginnings he worked hard to bring up a family.

The secret of his success is due to the vision of his father (my grandfather) Antonio, who sent him to the British School in Madrid, meaning that my father was a rara avis: an English speaking Spaniard in the post civil war, Franco ruled Spain of the 50s.

A couple of times I have heard the cute remark about how the important thing on gravestones is the little dash that separates the birthdate from the date of death. Duh.

Something else to keep in mind is how we label and put people in their little boxes. Yes my dad devoted most of his life to international banking, in fact he was an important cog in the Spanish international banking scene of the seventies and eighties. But that is not all of who he was. Yes was a keen motorist and loved cars and motorsports. Yes he was a keen fan of Apple computers, especially given his age. Yes he managed to track his family back to the mid eighteenth Century, but that is not who he was either. He loved jazz – although later in life he got to appreciating classical music more, so every Christmas I would record for him, originally a cassette tape and eventually CDs and finally USB sticks. He loved to read the newspaper which he did every day without fail. That is another trait I learned from him. He loved food and wine and would equally enjoy a cheese sandwich on a park bench as a Michelin starred meal.

He was a brave and decisive man who at a young age went to London to learn about foreign exchange. He lived with my mother across the street from Ashburton Grove, home of Arsenal Football club, but that did not make him an Arsenal fan, if anything he was a Real Madrid fan. After learning about foreign exchange in London, he started an upwards trajectory that would not stop until his retirement in the late 80s.

In the 70s he was offered to start the New York office of the bank. Being the elegant visionary that he was, he opened shop in the iconic Seagram Building on Park Avenue. We all packed up and left Madrid, I was twelve. It was a bit traumatic but I would eventually get the hang of moving back and forth, and it would become a way of life. After three years in New York came five in London and then back to Madrid, by then I had started my own nomadic way of life, going to college in Boston and working in France and Switzerland during the summers.

But back to Manuel. He had that kind of knack to be in the right place at the right time and looking good while doing it. Of course it did not hurt that his brother-in-law – my uncle and godfather – was a renowned tailor that made him all his suits!  BTW that is where I get my suit wearing custom, in case you were wondering. The other side of that coin was that unfortunately my dad travelled constantly, so we did miss him at home.

As a teenager up I remember blasting all around Europe in the big old Bismark at 130 miles per hour with any excuse. Eventually I would even be allowed to drive – that was fun.

My father retired in the late 80s and started all kinds of hobbies: playing with computers, taking a genealogy course to track his family tree, but most importantly spending time with friends, travelling with them and basically hanging out with all sorts of people. Manuel made friends easily, from all walks of life: artists, Bohemians, noblemen and gypsies, doormen and executives, everybody. About this time he became a part of the Boina club. The boina is the Spanish version of the French beret. This “club” basically consists of a bunch of guys meeting at a great basque restaurant for dinner and appointing 2 new members: a male and a female boinero who had to make an induction speech. This group had a fantastic network of contacts so the list of members is basically a who´s who of Madrid: writers, artists journalists, politicians, professors, you name it, of course my dad with his love of cars was the unofficial chauffeur of the group, picking up and dropping off the new members, this way he always got to hang out with them one on one!

For years every morning he would walk around the Retiro Park in Madrid, and he would often meet people there. Some of them became close friends. He walked every day until he no longer had the strength to walk out the door. The twelve years that I lived in Madrid, I always loved living overlooking the park so I had the light and could run and walk. Many weekend mornings I would bump into my dad walking and I would walk with him. Those walks were very special.

Possibly his biggest project after retirement was installing and improving the sprinkler system at the country house in La Navata. In fact, more of a hobby, it might have been his summertime obsession. I joked with him that he was like Enea Silvio Carrega, the hydraulics obsessed uncle in Italo Calvino’s story Il barone rampante. Fixing the sprinklers, changing water pumps, pumping water from one well to the other, tweaking the irrigation software. For this project he would enlist Mohammed, our local gardener to dig a ditch here, uncover a pipe here, make a hole here and so on. You would wake up on a hot summer morning and see chubby Mohammed trudging around the garden following my father who would be wearing his immaculate Panama hat overseeing the watering situation.

My father was diagnosed with an advanced pancreatic cancer in 2012. Thanks to the phenomenal staff at the Hospital Clínico San Carlos and specifically to Dr. Sastre, who managed to sneak him into the last spot at a clinical trial for a new pancreatic cancer drug manufactured by Celgene. This was a massive and miraculous success that increased my father’s life from an average of 5 to 9 months to three and a half years. These have been a tough three and a half years for Manuel as he struggled with his illness. The last few days, my mom, terribly stressed from being basically the sole caregiver all this time, took advantage of the fact that I was home from North Carolina to take some days off in Mallorca with her grandchildren. So I spent my father´s last week alone with him. Despite the fact that it was a tough situation for us, we had a very nice last bonding experience. We did not talk much, as by then he was spending most of his time sleeping. I slept on a bed next to him, to help him at night.

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Manuel died peacefully in his sleep on the morning of July 3 on his bed, surrounded by his family, like Don Quijote or Rodrigo Manrique.