A much-needed return to music, and on the importance of mentoring

As I have mentioned ad nauseam, I learned how to be a mentor to old students from my professor Aaron Nurick, who has been keeping an eye on me for over thirty years, which at this point makes him more of a friend than a mentor.

Bill is one of my old students who invited me to Film Club (you can read about that here), and who as an accomplished violist, invited me to his recent concert in Miami. I would like to think that I am a bit of a mentor to him.

The Sphinx Virtuosi is an orchestra formed by minority Black and Latino musicians. Their concert equally featuring Black and Latino composers was glorious. Granted, I had not been to a live concert since before Covid, over two years ago, but it was still divine.

Driving to Miami is an odious experience, there is always traffic no matter what time you go. And if there is no traffic, there is construction, which inevitably leads to traffic, so there is no avoiding the frustration of sitting in a car at standstill.

But once I parked and I was walking around, all my tension washed away. The concert was at the Frank Gehry designed New World Center in Miami Beach, which, while not as whimsical as say, the Guggenheim in Bilbao, it is still very cool and has a breathtaking rooftop garden.

The concert itself was a refreshing mix of melodic Latin tunes like Alberto Ginastera’s Concerto for Strings and the haunting Andrea Casarrubios’ SEVEN in honor of the fallen first responders during the first Covid outbreak in New York City (SEVEN references the time folks would clap from their windows to celebrate the first responders). This was a mournful concerto for solo cello played beautifully by Tommy Mesa -another old student at Walnut Hill! (See clip below).

After the concert we walked to a great Peruvian restaurant where we had a long chat over excellent food and beers. I cannot wait for my next concert, nor to see more of my old students!

Bach, Johann Sebastian Bach

My only music post on this blog was published in 2014 about Van Morrison. Well, it is time to add to that. Basically the only thing I listen to nowadays is Bach, as in Johann Sebastian Bach.

Of course we are all familiar more or less with his oeuvre, but I must confess that my first conscious contact with Bach was quite late. After college I got a job in Boston’s Financial District. I moved into an tiny attic apartment on Commonwealth Ave.  in the Back Bay. Walking around I found out that Emmanuel Church on Newbury st. performed the Bach Cantatas on Sundays’ mass, so I started going religiously (sorry, bad pun). I missed the Catholic ritual, but the music more than made up for it!

Fast forward to 2013 in North Carolina when I saw András Schiff  perform the Goldberg Variations and it all came flooding back, and I was hooked. As soon as I could I went to the used record store and got Glenn Gould’s original 1955 recording -yes, the one where you can hear Gould humming the tune in the background! I stuck it in my car’s CD player and it stayed there until the car was sold in 2018. That’s five years of listening to the record over and over. Call me obsessive if you want.

The next step for me was the Cello suites. The progression was simple, although it involved a step back. A step back because I had been surrounded by these pieces when I worked at the Walnut Hill School for the Arts, eventually observing and participating in Über-conductor Benjamin Zander’s Master Classes at the school. Now I have Yo-Yo Ma’s 2015 Royal Albert Hall performance of the complete Cello Suites on a loop (see video below).

Occasionally, if I want to mix it up a bit I might listen to some of his organ music or, the Passions, or some of his other orchestral and chamber pieces (sonatas and partitas). There are many of these because back in the day (1685 – 1750) the only serious musicians worked for the king or the church. Bach falls in the latter, so he had to produce music basically for every Sunday! In case you had not noticed, I am not a musician -much to my regret- but this music has everything I need musically and spiritually speaking.

You are welcome.