The Streets of New Orleans, The New Orleans Gospel Stars, gospel music as a meditation.

It was love at first sight. The streets, the feel, the vibe, I stayed at a dingy little hotel in the French Quarter, the Andrew Jackson, my room stank of weed, every morning I had breakfast at the Clover Grill Diner before heading to work. In the mid-90s I went to New Orleans two years in a row for a conference. I do not remember much about the conferences, but New Orleans stayed in my heart. But I was not new to New Orleans, for years I had listened to its music, its magical, powerful, beautiful music which my dad loved and played constantly. As a result of this, I got hooked on the New Orleans sound, listening to Branford and Wynton Marsalis, Harry Connick Jr., Jon Batiste and so many more.

The other day I saw a poster for a Gospel Choir concert in Madrid, and Celia and I immediately invited my niece and my nephew to the concert.

It was a blast! The brass marched into the hall playing a beautiful version of “Just a Closer Walk with Thee” which I know and love from Van Morrison’s version, then the rest of the band walked in and ignited the crowd with their rhythm and energy. “What a Wonderful World” was nice, but nobody can come close to Louis Armstrong on that one. At the end we got the classic: “Oh Happy Day.” For the grand finale: “When the Saints Come Marching in.” The normally conservative Madrid crowd was all standing and dancing! What a show!

Richard Rohr writes in his daily reflection about this music:

worship in the Black church can create a communal contemplative experience

CAC faculty member Barbara Holmes

My niece and nephew enjoyed it. I loved traveling back to my dear New Orleans, as I had not been there since the start of this blog in 2011 (check it out here) when I applied for my PhD in Tulane.

Here is a clip of the amazing New Orleans Gospel Stars, enjoy:

Culture in cities, Fundación Juan March; Antes de America.

One of the principal reasons I love cities is their fantastic cultural offering -lots of it free. So, when I am in Madrid, I make the most of it and try to go to as many culturally stimulating events as possible.

The other day I went with my nephew to the Antes de America exhibit at the phenomenal Fundación Juan March. What this exhibition sets to show is the influence of pre-colonial art on post-colonial art. It was a massive display showing pre-colonial artifacts next to the artifacts it inspired: from furniture to posters, record covers, pottery, all sorts of stuff.

Although the brochure claims the exhibit highlights art from Tierra de Fuego to Alaska, most of the material was Mesoamerican. Admittedly, that is also the region with the richest concentration of cultures -I am guessing because of the weather, but I am not a paleontologist or any kind of scientist, so what do I know?

One of the more important things I learnt from this exhibition was how prevalent ancient American art is in our modern culture. You might see a cool geometric design on a poster for a concert, for example, but in fact it was done hundreds of years ago by a tribe, people, culture that is no longer with us.

With hundreds, maybe thousands of pieces on show, there are bound to be some misses and I did find a couple of choices somewhat questionable. But again, this is not my field of expertise, I am just an old, white guy.

In conclusion, the exhibit is phenomenal in volume and content, if you are in Madrid before March 10, 2024, I highly recommend a visit. The Fundación has a cute little coffee shop in the basement and a cute little library you can borrow books from! And of course, the obligatory gift shop which sells the massive catalogue from the exhibition (yes, I got one!).

Seven Samurai vs The Magnificent Seven a cultural perspective

Unless you want to see hundreds of articles comparing these two films, do not type this into your interweb search engine. As usual, I want to give it a bit of a twist and look at the cultural angles of these two films beyond the obvious.

Or maybe not so obvious; yes, here is a Japanese and the Western remake that ensued, but what I found interesting was the approach from each filmmaker’s culture.

Kurosawa is meticulous in his approach to his film, showcasing Japanese traditional arts and crafts, even down to calligraphy, flag making, or traditional rice planting! The film underlines Japanese social strata particularly the difference between the farmers and the Samurai class. Coincidentally, we recently saw Jiro Dreams of Sushi in Film Club, and despite the many differences: 2011 documentary vs 1954 fiction, Seven Samurai reflects Japanese artistry and attention to detail, much like sushi making is.

The Magnificent Seven does not have the cultural weight to pull, so it focusses more on the ethical issues of good and bad and on character development, it is Hollywood after all. But the filmmaking compared to Kurosawa is sloppy, even careless. The film is basically pulled off by Yul Brynner, Steve McQueen and Charles Bronson’s magnetic charisma added to James Coburn to round off a magnificent cast.

Of course, the first big difference is that Samurai is almost three and a half hours long compared to the more normal two hours of The Magnificent Seven, so the cutting corners is evidently evident.

Another main difference is that the weapons used in Samurai are swords and spears with only a minor use of a couple of muskets whereas Magnificent revolves around revolvers and rifles, which changes the dynamic of the conflict and the engagement.

Overall, Seven Samurai is a work of art, a masterpiece of cinema, whereas Magnificent Seven is just another Western.

Antonio y Rocinante’s Long haul flight and jet lag hacks

Getting on an airplane

At this point in my life, I cannot tell you how many times I have crossed “the pond”. My first time was in 1976, I remember because the US was celebrating their bicentennial, so I was 11. Since then, we moved to NY for my 6th grade, then I went to college in Boston, and stayed in NY and Boston for a few years after that, then I traveled for work and vacations all over the US, Caribbean and South America, then I moved back to Boston in ’05, and you know the story since then (if you don’t, you can backtrack in this blog). So, for a conservative number let’s say over a hundred times.

Here are some of my travel and jet lag hacks:

Pre-flight:

Your body has three main built in clocks: stomach, sleep, and light. We need to prep those at least the day before the flight:

Start eating easy to digest meals this will “prep” and confuse you stomach, getting it adjusted for your new meal schedule.

Same with sleep: try getting some naps in the days before the flight. Again, you are trying to “trick” your sleep pattern.

Flight day:

Look good. Do you really want to meet someone important in your life, maybe your next boss, your future spouse, a potential client, or a celebrity, wearing oversize sweats and Crocs. Is it really that difficult for you to look good and be comfortable at the same time? Work on it; for me it means a button-down shirt, blazer, chinos, and comfortable loafers – just like George Clooney in Up in the Air (see clip below). Ground staff and cabin crew are going to like you more if you look nice than if you look like you are going to a pajama party.

Hydrate, hydrate, hydrate. Cabin air is super filtered and super dry, so on a long haul you are going to notice. Most of your tiredness after a long flight is more dehydration than tiredness.

Night flights: try to sleep! Take a heavy-duty Melatonin, eye mask, ear plugs, blanket and sleep, sleep, sleep, or at least try to.

No alcohol, coffee, tea, sodas, all those drinks are going to make you pee, or make you thirsty, or dehydrate you or whatever, stick to water. I also put on moisturizer every time I go to the bathroom and wash my hands, it feels nice.

Adjust your watch if you are an old fool like me.

After landing:

Do not have a big meal, stick to easy to digest meals for a day, to continue adjusting.

Try to adapt to the local schedule ASAP, no going to bed in the morning, no big meals at odd times. Be a local.

Try to go outside, if there is sun, take in the sun, remember light is one of your body clocks.

You are welcome.

Any thoughts? Additions? Suggestions? I would love to read them in the comments below.

Why is football (soccer) the leading sport in the world?

Why is football (soccer) the leading sport in the world? Why is the World Cup one of the most watched events in the world? There are a few factors, which might surprise my American readers.

Yes, football is low scoring, but that is part of the beauty of it, each goal is precious and celebrated. American football has a weird scoring system which devalues each score. Basketball averages 70 points per game, so unless you have a final basket deciding the game, the final score is not so dramatic. Also, since the court is indoors and relatively small you cannot have a massive audience. A major tennis final might also be exciting, with each point going back and forth.

The low scoring factor also makes for suspense. A winning goal might come at the last minute -literally! (For example, Andres Iniesta’s World Cup winning goal at the 2010 final)

We also have ties, but that is only on league games, not cup, and not championship games.

All it takes to play soccer is a ball, and some are even made from plastic bags. This means that children even in the poorest neighborhood or village play soccer.

When you become a football fan, you will follow your team in all their competitions: national league and cup, and if your team is any good, in their European or Latin American championship (Champions League or Libertadores). You will also follow your national team in their continental and world tournaments (Euro, Americas or World Cup). This team is made up with your country’s best players regardless of their club affiliation. In football countries you basically inherit your allegiance from your parents. I remember my father taking me to the Bernabeu stadium in cold winter afternoons. However, there are exceptions to this rule with even some Madridista (Real Madrid) and Culé (Barcelona) marriages!!

I am passionate about soccer. Although I never played enough to be a good player, I have always loved it. I got the opportunity to coach in 2005 and I have been coaching on and off since.

We recently played our Fall game against the Miami seminary in Miami. Since we won both games last year, we were a bit sleepy for the first half, moving the ball around but without decisive finishing. 0-0 at half time. We had to wake up and we did, scoring three goals. By the end of the game, exhausted, we allowed a goal. 1-3 is a good result, and I am super proud of the boys.

The players did not order their shirts on time, so the old players played with our traditional red and white (Atletico de Madrid, Athletic de Bilbao) (not a fan) shirts, while the new players who did not buy their shirts had to play with temporary (red) shirts – fortunately the refs were ok with it if they were not blue. You will notice this in the photos, grrrr. Speaking of photos, cred. Jonathan Arias.

R.I.P. Brother Eulogio.

Nuestras vidas son los ríos

que van a dar en el mar,

que es el morir:

allí van los señoríos

derechos a se acabar

y consumir;

allí, los ríos caudales,

allí, los otros, medianos

y más chicos,

allegados, son iguales,

los que viven por sus manos

y los ricos.

Jorge Manrique wrote these lines in his Coplas por la Muerte de su Padre in 1480, the late Middle Ages, the cusp of the Spanish Renaissance (Spain, like me, is a bit of a late bloomer, and we consider 1492 as our start date for the Renaissance if you want to be technical about it).

But these are the lines that jump in my mind every time I hear of someone passing; the best friend of one of my students three days into his honeymoon, family members of dear friends, Matthew Perry, and last week Benedictine monk Brother Eulogio in El Paular Monastery.

Brother Eulogio was a spiritual force of nature, a spiritual power who would ask you point blank questions or nonchalantly point to the spot he wanted to be buried in the Monastery’s cloister. I have written about him before (click here) and he was one of the many reasons I love to go on retreat to El Paular.

Brother Eulogio pushed me in my quest for peace. Although in his later years he was wheelchair bound and did not recognize me, he kept his aura bright. I remember one of our last conversations was about the gifts each one has and how to find comfort in our gifts. It was in the “little” chapel, a tiny chapel where the 11 monks and whoever is staying with them pray their daily prayers, only using the big chapel for high mass on Sundays and special holidays.

The beauty in Brother Eulogio’s spirituality was the joy, simplicity, and casualness of his asceticism, his humanity and humility. He could answer what you thought was a deep question with a wave of his hand or think about it for a second and go into a deep explanation. I will miss our walks in the orchard, or in the cloister.

I hope to visit your grave in the cloister of the monastery soon.

British geopolitics in Spain during WWII; Walter Starkie and “El British”

My dad could not stop talking about Walter Starkie. I never gave the fellow much consideration, that was my dad’s thing. My dad even found and bought some of his (many) books. But a few days ago, my aunt passed along a brief bio of Starkie –particularly in his time as Director of the British Institute in Madrid (attached). And I loved it! This fellow did more for Britain than you would think.

Mise en scene: Spain during WWII is a neutral country, at least on paper. After all, Franco won the (in)Civil War in 1939 with help from Hitler and Mussolini. Having said that, when Hitler asked Franco to let him transport his troops and tanks by train to Algeciras (next to British Gibraltar -but that is another story) to get to North Africa, Franco -to his credit- said no. But back to our story.

So, in a neutral but Axis friendly country, in 1940, during WWII, what could Britain do to exert some sort of “soft” power in Spain? The answer: send a phenom of nature, a genius, a virtuoso (literally), a wonder, and let him do his thing. Make sure he looks unassuming, a roly-poly, jolly, violin-playing academic fellow. Give him a fairly vague title like British cultural representative. Finally, give him carte blanche to do as he sees fit, oh and a generous budget, I am sure.

Ironically, Starkie was Irish, from a family of scholars and artists, he graduated from Trinity College in Dublin, with honors in Classics, History and Political Science, oh, and first prize in violin from the Royal Academy of Music in Dublin! After graduating he stayed at Trinity teaching Italian and Spanish. Samuel Beckett was one of his students! During WWI in Italy, he played violin for the British troops and met his wife. Back in England Y.B. Yeats made him director of the Abbey Theatre. From there he was sent to Madrid in 1940.

Starkie soon founded the British Institute – El Instituto Británico, “El British,” where my father, my uncle, and my aforementioned aunt went to school as children of a British Embassy employee (read more about my grandad here). Eventually my sister and I would also go to “El British.” Starkie made the school a center for conferences, concerts, presentations, so forth, which is precisely what Britain wanted in Spain: a cultural beachhead in Nazi friendly Madrid. Not only that, but as a Catholic (remember, Starkie was Irish), Starkie soon made friends with influential Jesuits Heras and Otaño, and eventually with government ministers. In fact, one of Starkie’s biggest victories was to have English as a language option (together with German) in Spanish secondary schools.

On any given day, Starkie could meet with a Spanish government official, play the violin with gypsies, whom he loved and wrote his most famous books about (Raggle-Taggle: Adventures with a Fiddle in Hungary and Romania (1933), Spanish Raggle-Taggle: Adventures with a Fiddle in Northern Spain (1934), and Don Gypsy: Adventures with a Fiddle in Barbary, Andalusia and La Mancha (1936)), host a conference, write or translate a book -like Don Quijote, and then go home, which served as a safe house for Jewish, Gypsy, and other prosecuted refugees on their way to America.

I asked my uncle what he remembered about Starkie. He told me how the Embassy’s country house was used as a safe house for downed plane crews rescued by the French resistance who were on their way back to the UK to fly again. But to get to this country house one had to drive by a gypsy settlement. Because of the friendship between Starkie and the gypsies, nobody ever dared go near that house to investigate what was going on, why there were cars and vans coming in and out at all times of the day and night, another point for Starkie!

So, besides the eventual victories on the battlefield, Britain scored a major victory in WWII by sending Walter Starkie to Spain.

El Greco, a proto-Impressionist and the new exhibit at the Norton Museum of Art.

Confession time: I like the Impressionists, but as a collective, it is not my favorite artistic movement. I like and appreciate the Impressionists individually, but I am not crazy about them as a whole. I can explain.

I am privileged in that I am a supporter of the Prado Museum through their Amigos del Museo del Prado program which is (mostly) fantastic. The main advantage of this “membership” is free access to the museum, which I do take advantage of frequently, plus I love showing the museum to friends and in Tonxo Tours.

So, I often get to see El Greco’s work. Domenico Theotocopulos (1541–1614) was born in Crete, moved to Venice, Rome, Madrid and eventually Toledo, where he would flourish. One of the many interesting things about El Greco was how much nineteenth-century collectors and artists loved his work. Why? Because he was an Impressionist avant la lettre!

Picasso and Renoir were blown away by El Greco, here was someone painting how he wanted to paint more than what he “saw”, a very unreal, conceptual art, and around three hundred years before them!

Why am I pontificating thus? you ask. Well, I recently had the opportunity to visit one of my favorite places in South Florida, the Norton Museum of Art in West Palm Beach. They have just opened a new exhibition titled Artists in Motion: Impressionist and Modern Masterpieces from the Pearlman Collection. It is a smaller exhibit with some niece pieces: a Gaugin wood carving, a van Gogh, some Cezanne, a couple of Modigliani, etc. My favorite was a Modigliani portrait of Jean Cocteau -yes, you could say it is very Grecoish.

When I am at the Norton, I always enjoy walking around and checking out the permanent collection, the gift shop, the sculpture garden, it is all a very rewarding and enriching, my blood pressure goes down. As I have said before many times, an oasis of culture and beauty in South Florida.

On the importance of keeping the flame of curiosity burning strong.

Stay curious my friends

Hmm, the Interweb is full of encouragement to keep you curious, who knew? And yet we continue the death scroll of doom on social media, we stick to our thoughts and convictions, we are unable to change our minds, we are right, and we already know everything.

The other day I went to a lecture about the martyrs of La Florida given by my dear friend and colleague Fr. Cristian Sáenz SJ who is a scholar of Early Church History, and he mentioned that his hobby was researching the martyrs of La Florida (I have attached the lecture below, because it is awesome, and he is awesome!). But this comment got me thinking about the importance of keeping the flame of curiosity burning strong regardless of your age.

For me that involves not only reading across different disciplines; from current events and pop culture to Enlightenment and Romanticism texts, to articles about the films we watch in Film Club (pro tip: go to Google Scholar, there are many available academic texts that you can access skipping the self righteous academic databases) -and obviously the films themselves, but to then see if there are any dots there to connect. You would be surprised.

The key process here is to digest and process all new information, how it makes you feel, does it change anything? Does it agree or disagree with previously held beliefs? This digestion happens in silence, in contemplation, or in conversation.

Although I am focusing here on intellectual curiosity, go ahead try new food, listen to new music, talk to people you have not met before. In other words, push beyond your comfort zone, try new things and experiences. You are welcome.

Keep calm and stay curious

The best cardio workout

It is swimming, of course, and I’m back at it!

Swimming does not hurt your joints, it really works your core, resistance to water tones muscles, you have to really focus on your breathing, etc. etc.

As is customary with me, I was a late adopter, a late bloomer, unlike my sister who was winning swimming championships in high school.

I did not start swimming as a workout until my second year of college when they built a pool. My brother Theo and I would go for a swim almost daily. In my mid 30’s in Madrid, I was schlepping to Chamartín for the amazing 50mts length pool. Back in the US I swam on and off, eventually swimming at the Wellesley YMCA on my way back to Boston from work. Of course, UNC has a phenomenal pool where I loved to swim. I love open water swimming because you don’t have to turn around. In Naples I enjoyed swimming on the Gulf side. Here on the Atlantic coast, I have to wait for the ideal conditions, which are exceedingly rare; no rip tides, no choppy water, no Portuguese Man o’ war, etc. Sadly, in the last 3 years I have only managed to get out about a dozen times.

But the apartment building I have moved to has a lap pool! So, despite my less than perfect technique and my lack of practice, I’m back in the pool and swimming more and more.

If you can get access to a pool, throw on a swimsuit and go swim some laps, you are welcome.